Newsletter: May 2007
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Show Report

Home Entertainment 2007

May 11-13th 2007, Hyatt Grand NYC


Rives and Talon presented the Talon Thunderhawk and Rives sub-PARC (crossover, parametric, and digital amplifier) in two rooms that are nearly identical, but one will be acoustically treated and one will not.

Also particpating in the room will be RPG, VAC (with the newly released Avitar integrated amplifier), Wadia, SRA, and XLO.

We were visited by no less than 1000 attendees and thank all of you for making the effort to come and visit with us. Not to mention the great attendance at the Acoustical Consulting Forum.

Read the show Report


Talon Firebird - Still the Statement Reference

There are apparantly rumors that the Firebird is going away. Not true. We've made some modest improvements in the low frequency recently for greater extension and dynamics. The Talon Firebird remains the statment reference Loudspeaker.



For more information on Talon products call us at:
877-656-4536



Visit us on the web at

www.talonspeakers.com

What do you listen to?

Part 13
various recordings and engineering


In the last newsletter I let you all know about Dan Knight's CD on the Rives Audio label. I still highly encourage you to get this CD. It is one of the finest technical recordings of a piano I have ever heard and the work is so compelling.

This newsletter I want to review the performance at the HE show. Of course, you will say "I'm biased." which is absolutely true, but I do think I can bring this to you objectively, particularly compared to the CD which I am intimately familiar.

Dan Knight played the Walt Whitman Suite with the same brilliance and passion that can be found on the CD. However, there were a few things that were less than stellar for the performance.  For one, the piano was out of tune, particularly in the lower octaves which is used extensively in this piece. Second, the piano was a baby grand, not a concert grand which really lends itself to this work. The overtones used in this piece were not able to really develop on the smaller piano. The third issue was the vocals, which for a house PA were not bad, but not "audiophile" grade either.

Live is always a pleasure for me because it has a direct connect to the entire piece, nothing can be changed during a live performance, and some things like those I've mentioned are just part of the process. As always, I strongly encourage you to seek out live performances where ever possible.

After the Walt Whitman Suite I asked Dan if he would like to play a jazz piece. He of course said yes and the audience applauded. Instead of Dan picking the piece he asked the audience what they wanted to hear. Someone said "Rhapsody in Blue". Dan said, "Fine, now what jazz artists can we imagine playing this?" The answers were, Art Tatum, Duke Ellington, and Thelonious Monk. Dan proceeded to play the a melody mimicking these pianists playing Rhapsody in Blue. The audience was really astounded.

You can read more about his CD here.

Happy Listening.


Richard Rives Bird
President, Rives Audio